The wise claim that “human beings are members of a single body” has found a negative and antagonistic application in the contemporary real world. As identity theories, from philosophical, sociological, and even psychoanalytic perspectives (from Hegel to Lacan and Giddens, etc.) tell us, no one finds meaning and psychological and social existence without the other. This entanglement has also been manifested in literary forms, especially in the works Third World writers. just as they have been involved in a wounding conflict in the real world. Farhad Pirbal is one of these unstable subjects in the middle of these boundaries. The world of his stories, here with emphasis on his three novels, is a description of the type of interaction with others that he has encountered in a new way in the last hundred years, both in Meddel East or in Eroupe. This identiy antagonism is the most important theme of the stories and the main driving force of the narratives. Content /discourse analysis of these works shows that we are not faced with a straightforward and one-sided narrative. In fact, like an omniscient, he presentsand analysis all narratives more or less in the words of the characters. While recounting individual experiences, memories, and traumas, they also narrate the Kurdish collective memory or, in other word, express a whole as mournful/tragic and critical odysseys of voices belonging to different cultures, geographies, and politics.